录音音乐的出现与BEC（商业教育课程）非常相似。
我观察到录音音乐的出现类似于玻色-爱因斯坦凝聚态。在录音音乐出现之前，现场表演就像是一种流体，高熵的气体状态。每场表演都是一个局部的、不可重复的波函数——每次表演都在根本上是动态的和独特的。
录音技术的出现就像是一种量子冷却机制。它将声波固定在一个状态中，将无数流动的变化凝聚成一个单一、冻结、相同的数据格式。当全球数百万人同时听同一个音频文件时，他们都在同时体验一个锁定的、同步的波函数。录音音乐有效地将一个流动的瀑布转变为一个永久的、反熵的常数。
我期待听到其他人对这个想法的看法。这是我在这个论坛上的第一次发言，我打算很快再发布一些内容。
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I observe that the advent of recorded music resembles a Bose-Einstein Condensate.
Before recorded music, live performance operated like a fluid, high entropy gas phase. Every performance was a localized, unrepeatable wave function–fundamentally moving and unique each performance.
The advent of recording technology acted as a quantum cooling mechanism. It trapped the sound waves into a fixed state, collapsing in infinite fluid variations into a single, frozen, identical format of data. When millions of people across the globe listen to the exact same audio file, they are all experiencing a locked, synchronized wave function simultaneously. Recorded music effectively turned a fluid waterfall into a permanent, anti-tropic constant.
I look forward to hearing other people's opinions on this idea. This is my first submission on this forum. I intend to put some more up soon.